Teodor Reljić was born in Belgrade, Serbia and raised in Malta. He writes fiction across various formats, and has been serving as Culture Editor and film critic at MaltaToday for over a decade.

His debut novel, Two, was published by Merlin in 2014 and was shortlisted for the National Book Prize (Malta) in 2015, while his short film ‘Camilla’ -- which he co-wrote with its director Stephanie Sant -- premiered in 2018 after winning the National Book Council’s Literary Short Film competition.

He is the screenwriter for the feature film adaptation of Alex Vella Gera’s novel Is-Sriep Regghu Saru Velenuzi, directed by Martin Bonnici and produced by Shadeena Entertainment, after winning the National Book Council's Feature Film Adaptation Grant.

Remembering, seeing… believing? | Alexandra Pace
Art
With misinformation being one of the primary agents of repression and control...
Evocative tale of guilt and self-discovery | Alex Camilleri
Film
Teodor Reljic speaks to Malta-born filmmaker Alex Camilleri about his...
Film review | Ghost in the Shell: More shell than ghost, but that’s alright
Film
Ghost in the Shell has made its arguably inevitable leap to the live action big...
Building poetics of relation from the Maltese bridge | Hubertus von Amelunxen
Art
As its second year in Malta gets underway with a spring session of seminars,...
Film review | The Salesman: The world makes victims of us all
Film
The Salesman remains a deeply sensitive, engaging and – latterly –...
Back to the womb | Robert Farrugia Flores
Music
Ahead of the launch of their sophomore album GUF, Teodor Reljic catches up...
Film review | Moonlight: A personal opus in miniature
Film
Jenkins masterfully unpicks Chiron’s psyche at key moments in his life,...
Coherent display for incoherent elements | Sandro Debono
Art
Curator Sandro Debono delves into how what was once a brief for yet...
Film review | Skull Island: Having beastly fun on a monster paradise
Film
Kong: Skull Island is a film that wears its influences on its sleeve but then...
Gazing past generic boundaries | Eyes to Argus
Music
Ahead of an upcoming gig at Rumours, Teodor Reljic speaks to the eclectic band...
Film review | John Wick Chapter 2: Bone-breaking, head-exploding perfection
Film
John Wick: Chapter 2 is an action movie done right, with a simple but...
Notions of safety at the historical crossroads | Nikolas Ventourakis
Art
Greek artist Nikolas Ventourakis speaks to Teodor Reljic after his...
Finding comedy in grotesque sincerity | Mikhail Basmadjian
Theatre & Dance
Actor Mikhail Basmadjian, taking the titular role in Il-Mitt Fehma...
The Conqueror Squirm | Andre Agius
Theatre & Dance
Actor Andre Agius, who will be taking on the role of Charles Marlow in...
Film review | Logan: Fond farewell to a brutal teddy bear
Film
Logan is a violent but strangely heartfelt tribute to a beloved character,...
Never mind the digital spittle, here’s B.N.I. | Miguel Debattista
Music
Teodor Reljic takes the opportunity to chat with B.N.I. guitarist and vocalist...
Capturing abandoned spaces | Mark Magro
Art
Teodor Reljic speaks to curator Mark Magro, whose multimedia...
Searching for severe beauty | Peter Sant
Film
Maltese-Australian director Peter Sant’s upcoming film...
Film review | Girlfriend's Day: Anti-romantic misfire of the year… and it’s only February
Film
Girlfriend’s Day could have easily been workshopped as catnip for...
Playing happy families | Unintended
Theatre & Dance
There’s a lot of potential in Unintended – the debut script by...