Teodor Reljić was born in Belgrade, Serbia and raised in Malta. He writes fiction across various formats, and has been serving as Culture Editor and film critic at MaltaToday for over a decade.

His debut novel, Two, was published by Merlin in 2014 and was shortlisted for the National Book Prize (Malta) in 2015, while his short film ‘Camilla’ -- which he co-wrote with its director Stephanie Sant -- premiered in 2018 after winning the National Book Council’s Literary Short Film competition.

He is the screenwriter for the feature film adaptation of Alex Vella Gera’s novel Is-Sriep Regghu Saru Velenuzi, directed by Martin Bonnici and produced by Shadeena Entertainment, after winning the National Book Council's Feature Film Adaptation Grant.

Of museums and necessary mutations | Sandro Debono
Art
The wide-ranging exhibition ‘Malta. Land of Sea’ represented the...
Not a temporary fix | Alexandra Pace, Sara Dolfi Agostini
Art
As visual arts spaces struggle to reassert themselves the independent Valletta...
‘It’s no shock to see the system collapse’ | Kristian Craig Robinson
Music
The Malta-born, UK-based underground musician Kristian Craig Robinson, aka...
Making do with much ado | Philip Leone-Ganado
Theatre & Dance
Adaptability is the watchword as we all struggle to both contain and live under...
Future-proofing Maltese theatre in pandemic time | Sean Buhagiar
Theatre & Dance
With all planned shows postponed until at least August 2020, Teatru Malta...
Can our cultural sector survive the pandemic?
Cultural Diary
Government’s revised covid-19 economic recovery package did offer some...
‘I’m going to start practicing social media distancing’ | Seb Tanti Burlo
Art
Among the many cultural casualties of covid-19 was Seb Tanti Burlo’s...
Film Review | The Invisible Man: The invisible man wants to take it all away
Film
Elisabeth Moss is a victim of domestic abuse whose attacker literally comes...
Film Review | Parasite: Trading places, Korean style
Film
Making history as the first international film to take home Best Picture at the...
A call to witness | Gioele Galea
Books
As the world is all but driven to total quarantine, a hermit’s memoir may...
Morphing up to scratch | Ruben Zahra on Kafka’s Insect
Music
Composer Ruben Zahra speaks to TEODOR RELJIC about his upcoming production...
Film Review | Emma: Low-key panic at the Regency country estate
Film
Anya Taylor-Joy excels in this inspired and effervescent take on Jane...
The full spectrum |  Georgina Portelli
Theatre & Dance
TEODOR RELJIC speaks to Dr Georgina Portelli, a curator within the creative...
Film Review | Underwater: The great escape from a watery grave
Film
Kirsten Stewart works hard to lend some earnest dramatic chops to this dour,...
Weaponising sexist stereotypes against themselves | Roxman Gatt
Theatre & Dance
Malta-born, UK-based artist Roxman Gatt speaks to TEODOR RELJIC about her...
Film Review | Birds of Prey: Keep it crazy but stay light
Film
Colourful, energetic and silly in all the right ways, this femme centric sequel...
Rattling your inner self | Kill the Action
Music
TEODOR RELJIC speaks to genre-hopping local act Kill the Action about the...
Film Review | Uncut Gems: The electric charge of the downward spiral
Film
Adam Sandler finally puts his talents to good use in the latest salvo from the...
‘I always wanted a space where actors and audience were close to the point of intimacy’ | Alfred Buttigieg
Theatre & Dance
Staged in a private residence and promising ‘murder, eroticism, tea and...
Film Review | Little Women: Gerwig gets the girls
Film
Writer-director Greta Gerwig builds on a post-Lady Bird winning streak with...