Teodor Reljić was born in Belgrade, Serbia and raised in Malta. He writes fiction across various formats, and has been serving as Culture Editor and film critic at MaltaToday for over a decade.

His debut novel, Two, was published by Merlin in 2014 and was shortlisted for the National Book Prize (Malta) in 2015, while his short film ‘Camilla’ -- which he co-wrote with its director Stephanie Sant -- premiered in 2018 after winning the National Book Council’s Literary Short Film competition.

He is the screenwriter for the feature film adaptation of Alex Vella Gera’s novel Is-Sriep Regghu Saru Velenuzi, directed by Martin Bonnici and produced by Shadeena Entertainment, after winning the National Book Council's Feature Film Adaptation Grant.

Secrets of Palazzo Falson
Cultural Diary
The Palazzo Falson Historic House Museum in Mdina has just enhanced its visitor...
Film Review | The Lighthouse: Struggling to capture the light
Film
The Lighthouse is an unhinged psychological thriller engineered with the care...
Rinsing the psyche clean of gender neuroses | Emma Fsadni
Art
Artist Emma Fsadni speaks to TEODOR RELJIC ahead of her participation in...
Film Review | The Nightingale: Systemic horror that chills to the bone
Film
Brutal to a near-fault, Jennifer Kent’s follow-up to The Babadook is...
Breaking the silence | Omar Seguna
Books
As he gets ready to release his third poetry collection, Xehir Fis-Skiet, Omar...
Film Review | JoJo Rabbit: Defenestrate the Hitler inside yourself
Film
Taika Waititi’s Hitler Youth comedy is a brazen tonic in these tough...
Decades of heartbreak in verse | Gorg Mallia
Art
Academic and cartoonist Gorg Mallia speaks to TEODOR RELJIC about My Love...
Capturing what slides in between | Sara Dolfi Agostini
Art
TEODOR RELJIC speaks to Sara Dolfi Agostini, curator at the Blitz contemporary...
Film Review | Black Christmas: Tales from the Sisterhood
Film
Audiences and critics have not been terribly kind of Sophia Takal’s...
Looking back at 2019 | A cultural snapshot of Malta
Cultural Diary
TEODOR RELJIC digs into a year’s worth of interviews to feel out some of...
Film Review | The Rote Revenge of the Imperial Menace
Film
Expert blockbuster wrangler J.J. Abrams flies back to a galaxy far, far away to...
The best and worst films of 2019
Film
Our resident film critic TEODOR RELJIC sifts through a year’s worth of...
Enjoying the lingering Christmas feeling? Here’s what to watch
Film
Everyone’s got a favourite Christmas movie, and they might just get a...
Film Review | Knives Out: A fine-tuned family feud
Film
Christmas has come early for lovers of lovingly crafted genre cinema, as The...
Writing as a form of activism | John P. Portelli
Books
Born in Malta but based in Canada, the author and academic John P. Portelli...
‘The present system cannot go on’ | Paul Bartolo
Books
As the events of Sette Giugno continue to reverberate across Maltese society in...
Film Review | The Irishman: A history of violence
Film
Martin Scorcese’s Netflix epic may take its sweet time, but the patient...
A musical army of friends | Noah Fabri
Music
TEODOR RELJIC speaks to Noah Fabri about Karmaġenn, a multi-disciplinary,...
Film Review | Doctor Sleep: Oh Danny boy, the ghosts, the ghosts are calling
Film
The Haunting of Hill House’s Mike Flanagan gets his slice of the Stephen...
Film Review | Earthquake Bird: No flavour to the aftershocks
Film
Psychological unease looms large over this lush adaptation of an award-winning...